Combining Texts

All the ideas for 'Universal Prescriptivism', 'Art' and 'In Defense of a Dogma'

expand these ideas     |    start again     |     specify just one area for these texts

29 ideas

19. Language / A. Nature of Meaning / 8. Synonymy
7319 If we give up synonymy, we have to give up significance, meaning and sense [Grice/Strawson]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
23928 Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
23922 The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
23929 We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
23921 Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
23923 Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
23927 Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
23932 Art is the expression of an emotion for ultimate reality [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
8115 Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
23924 Maybe significant form gives us a feeling for ultimate reality [Bell,C]
23931 Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
20434 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
23934 The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
23925 Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
23926 Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
23935 Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
23933 Aesthetic contemplation is the best and most intense mental state [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
22691 Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / c. Ethical intuitionism
2705 How can intuitionists distinguish universal convictions from local cultural ones? [Hare]
2712 You can't use intuitions to decide which intuitions you should cultivate [Hare]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / h. Expressivism
2706 Emotivists mistakenly think all disagreements are about facts, and so there are no moral reasons [Hare]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / i. Prescriptivism
2708 An 'ought' statement implies universal application [Hare]
2704 If morality is just a natural or intuitive description, that leads to relativism [Hare]
2703 Descriptivism say ethical meaning is just truth-conditions; prescriptivism adds an evaluation [Hare]
2707 If there can be contradictory prescriptions, then reasoning must be involved [Hare]
2709 Prescriptivism sees 'ought' statements as imperatives which are universalisable [Hare]
2711 Prescriptivism implies a commitment, but descriptivism doesn't [Hare]
23. Ethics / D. Deontological Ethics / 3. Universalisability
2710 Moral judgements must invoke some sort of principle [Hare]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
23930 Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]